Pre production-shot list

The Establishing shot

Shot No.	Shot	Filmed?
1	Wide shot of the  setting
2	Pan shot of the setting
3	Reverse shot to shot 2 – from TJ to J1
4	Medium shot of both the characters  in the setting
5	Long shot of the car
6	Extreme close up of J1’s face when he comes out of the car.
7	Wide shot of the whole scene
8	Long shot of all the characters in the scene
9	Medium close up of the characters  speaking.
10	OTS shot of J1 speaking dialogue
11	Long shot of J1 dialogue
12	Close up on j1 speaking his dialogue.
13	OTS of character walking to Tj and J1
14	Long shot of the car  coming in the scene
15	Extreme close up of  the bag being exchanged in the scene.
16	Long shot of both the cars in the scene
17	Medium shot  of Tj coming out the car.
18	Long shot of J1 speaking on the phone
19	Medium close up shot of the characters inside the car.

Baseball bat scene 

Shot No.	Shot	Filmed?
21	Long shot of the setting
22	Medium shot of two characters wearing balaclavas.
23	Extreme close up on the baseball bat
25	Tracking shot of Tj running from the two male.
26	Close up on TJ’s face for his reaction on the baseball being hit
27	Medium shot two characters stopping TJ
28	Long shot of tj on his knees and the characters standing behind him.
29	Medium close up of two  characters saying the dialogue together.
30	Point of view shot for  Tj
31

The Bentley scene

Shot No.	Shot	Filmed?
32	Pan  shot of the setting
33	Tracking  shot of the car
34	Long shot of the Bentley
35	Medium  shot of the two characters  in the setting waiting for the  plug to come out of the car.
36	Extreme close up of the phone ringing.
37	Medium close  up shot of characters’s reaction.
38	Close up of the plug and other characters  coming out of the car.
39	Medium shot of the plug  and the other character.
40	Over  the shoulder shot  for the characters speaking to each other
41	Extreme closeup on the bag.

The tunnel shot

Shot No.	Shot	Filmed?
42	Vagessan walking inside the tunnel	yes
43	Nauman walking in the tunnel	yes
44	Vagessan speaking dialogue to  nauman	yes
45	Nauman speaking  dailoguee to vagessan	yes
46	Medium shot to show both charcters	yes
47	Extreme close up on vagessan’s face	yes
48	Extreme close up on nauman’s face	yes
49	Long  shot of  nauman pushing vagessan	yes
50	Medium  close up of vagessan and nauman holding each other	yes
51	Point of view shot when vagessan pushes nauman	yes

preliminary exercise

https://youtu.be/AlmzIENUuTA



1) State the genre you have chosen for your TV drama - family or crime drama.

Crime TV drama 

2) Choose at least three TV dramas similar to your concept and watch the trailer and one scene from each. Make bullet-point notes on everything you watch, commenting on camerawork, editing, sound and mise-en-scene.

TopBoy

camerawork-it started with the long shot of the setting and then it went close up straight to the character's face named Shane
editing - It was match of action-where he open the door of his flat
sound- dietetic sound music playing  and diegetic when he speaks to his mum
Mise en scene-casual clothes,high key lighting and the setting is in  a estate.

Power

camerawork-it started with a establishing shot of the house and then it went close up for the characters face.
editing-reverse shot when two the two characters speak
sound -diegetic sound when they are both speaking.
Mise en scene-smart/casual clothes,high key lighting and the setting is in a bungalow.

Thirteen reasons why

camerawork long shot to the high school and then a medium shot to the characters speaking to each other.
editing-match on action when the one of the character opens the door and comes out his car
sound-diegetic sound -dialogues and undiegetic sound for the music
mise en scene -casual clothes,high key lighting and low key lighting and the setting is the high school.

3) Write a script for your TV drama scene. You'll find guidance for writing a script in the BBC Writers' Room (click on the Script Library to read real examples of professional TV scripts).



4) Write a shot list containing EVERY shot you plan to film AND additional shots to create flexibility when editing. These additional shots are often close-ups, cutaways, alternative angles or similar. I advise using a simple table on Microsoft Word to set out your shot list - you can find an example here. 

The estate

Shot No.	Shot	Filmed?
1	Wide shot of the estate and TeeJay walking.
2	Close up on TeeJay’s face.
3	Tracking shot of the car.
4	Close up on the villain’s face.
6	Long shot of the car
7	Wide shot of the whole scene when the villain comes out the car
8	Close up of the bag that the hero is giving the villain.
9	Medium close up of both the character
10	OTS shot when the hero speaks
11	Long shot of villains dialogue

5) Plan your mise-en-scene: what iconography are you including to ensure your audience understands the genre? Plan your cast, costume, make-up, props, lighting and setting. For this preliminary task, use just one location to keep it simple.

My genre crime will be understood by the audience by the mise en scene and mainly by the way my characters are dressed and the setting being in Estate.

Cast-protagnist and

costume-Casual wear

props-Bags with drugs 

lightning-Day light lighting 

setting- Estate


6) Plan a shooting schedule that will ensure everything is filmed by the deadline. Include when, where, who is required and what shots you will complete at each time/location.

Shooting schedule 

11th October
Heston
protagonist and the villain
tracking shot of the car and then the medium shot of the setting,eventually close up top the characters face.